Jessy Terrero
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The action film Gun, starring 50 Cent, Val Kilmer, AnnaLynne McCord, etc., directed by Jessy Terrero, was released on September 5, 2015 in the United States. It tells the story of Angel is released from prison and is reunited with his friend Rich who helps him smuggle weapons in a gun-running ring. But Detroit police and the FBI have declared war on arms smuggling. This is an Action, Crime, Thriller film with a runtime of 82 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 4,074 viewers.
Jessy Terrero
as Director
50 Cent
as Rich
Val Kilmer
as Angel
AnnaLynne McCord
as Gabriella
James Remar
as Detective Rogers
Hassan Johnson
as Clinton
Charles Malik Whitfield
as Dante
Paul Calderon
as Detective Jenkins
Mike Malin
as A.T.F. Agent Monroe
Mark Famiglietti
as A.T.F. Agent Peterson
John Larroquette
as Sam Boedecker
Danny Trejo
as Frankie Makina
Josh Carrizales
as Valentine
Michael Matthias
as Massimo
EJ Scalzi
as Yuppy
Christa Campbell
as News Reporter 1
Kristin Kandrac
as News Reporter 2
La La Anthony
as Mona
Jason Remar
as Policeman
50 Cent
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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I just finished watching this movie and I now know why it was rated 3.9/10 in movie box. first the actors did their thing no doubt, it's just that the storyline wasn't up to bar. Too predictable and this kinda storyline been done to death. That Mexican machete guy guest appearance was nice and fitting but I got hurt he died so early.
Good movie!
All I can say about this film is I really hoped it was better. But unfortunately, I felt as if I was watching a long sequence of cheap tied together 80's and 90's crime drama/action films. The dialogue was so run of the mill it was comedic. Even the deals took place in abandoned warehouses where every crime lord must do business in Hollywood. And there's even the villain reveling in his proverbs and monologues that are supposed to be far-reaching tests and messages to his minions. This film was so formulaic it makes you wonder what the hell happened when they test screened it. Do they just aim for low socio-economic teenagers who revel in slickly produced violence and crime? Chock full of African American gangster caricatures and dialogue? I remember when I was a teenager I loved ninja films, regardless of the quality. So perhaps the target audience is similar - young men who care less about the finer points of film-making and are only impressed by the most violent, uncompromising, bloodthirsty and cold-hearted characters who display a ruthlessness in making money and a blithe attitude towards life and death. The question is: Is this art? I say if the intention is to create art then yes it is; whether it's worthy of Kudos is another matter. Lastly, one gets the feeling Curtis Jackson is attempting to make a living from telling his life story in different ways. Is his life imitating art or is art imitating his life? I suspect the latter.
The generically entitled African-American actioneer "Gun" qualifies as a potboiler at best, boasting a solid cast, some tolerable gunfights, profane dialogue exchanges, and atmospheric shots of Detroit. The surprises are few and far between, but "Freelancers" director Jessy Terrero doesn't linger needlessly on the obvious. Payback is indeed a bitch, and nobody can say that "Gun" doesn't punish its perpetrators and reward its heroes. A paunchy Val Kilmer plays Angel, an ex-con whose wife died in a strip club during a shoot-out instigated by Rich (Curtis "50 Cent" Jackson), so Angel turns into a confidential informant for veteran Motor City Detective Rogers (James Remar of "The Warriors") who is trying to bust him. Detective Jenkins (Paul Calderon of "Pulp Fiction") is at Rogers' side trying to take care of business despite budget cuts that the city imposes on the men in blue. Initially, Angel proves his worth to Rich during a night-time deal with an Hispanic gangster, Frankie Makina (Danny Trejo of "Machete"), who tries to pull a double-cross during a deal. Lurking in the background is a big-time mobster, Sam Boedecker John Larroquette of "Blind Date") who is searching for an arms dealer. One of the best scenes has Rich describing an arsenal of hardware to a criminal. The guns that he shows off are pretty impressive, particularly the weapon that fires slug that can penetrate Kelvar as if it were tin-foil. Nothing special but a good way to blow 82 minutes.
Being from Grand Rapids, MI (where most of the film was shot) I figured I'd see how good of a product Mr. Jackson and his crew turned out. First, a minor gripe about location. Understandably, just because it was filmed in Grand Rapids doesn't mean that it's set in Grand Rapids-- but at times the movie seems to think it is. "Rich" talks about money and guns coming from the east side of the state (Detroit) to the west (Grand Rapids), and also talks about a proximity to Chicago. That's all GR, along with every street named in the movie (heck, the "44th street slums" would be near my office...if there were any slums on 44th). But then the ending seems to take place in Detroit, with no mention about a police force from one side of the state going to the other side. It's only a gripe because of where I live, but it just showcases a level of confusion on the part of the film. That confusion runs everywhere else, though. Is "Rich" a good guy or bad? What exactly are the cops trying to do? Is "Angel" good or bad? He goes free at the end, even though he killed just as many people in the movie as "Rich". Ultimately, I'm just left trying to figure out if there was much of a story here at all. On the plus side, the acting is decent (although it sounded like Mr. Jackson had cotton balls in his mouth the entire time), and it really is shot beautifully. It's just too bad such a nice looking film had nothing else going for it.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
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Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
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Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.