Andy Knight
as Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The animation film Beauty and the Beast 2, starring Paige O'Hara, Robby Benson, Jerry Orbach, etc., directed by Andy Knight, was released on November 11, 1997 in the United States. It tells the story of Astonished to find the Beast has a deep-seated hatred for the Christmas season, Belle endeavors to change his mind on the matter. This is an Animation, Family, Fantasy film with a runtime of 72 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.9/10 from 13,463 viewers.
Andy Knight
as Director
Paige O'Hara
as Belle
Robby Benson
as Beast
Jerry Orbach
as Lumiere
David Ogden Stiers
as Cogsworth
Bernadette Peters
as Angelique
Tim Curry
as Forte
Haley Joel Osment
as Chip
Frank Welker
as Phillippe
Frank Welker
as Sultan
Jeff Bennett
as Axe
Jeff Bennett
as Poke
Jim Cummings
as Various
Kath Soucie
as Enchantress
Paul Reubens
as Fife
Angela Lansbury
as Mrs. Potts
Judith Blazer
as Chorus
Jeff Blumenkrantz
as Chorus
Bill Cantos
as Chorus
Victoria Clark
as Chorus
Kevin Dorsey
as Chorus
Flip Kobler
as Writer
Cindy Marcus
as Writer
Bill Motz
as Writer
Bob Roth
as Writer
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 wins & 43 nominations total
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Good movie!
please hindi
Good movie!
Good movie!
source: Beauty and the Beast 2
Good movie!
Beauty and the Beast: The Enchanted Christmas
BEAUTY AND THE BEAST is my favorite movie. When I heard that they were making a sequel, I was enthused. But when I saw it...I was outraged. Horrified would be a proper word. This miserable excuse for a film doesn't even deserve to exist. And it doesn't. Not in the universe in which BATB takes place. I sat through it with a yellow pad and pencil and basically nitpicked it out of existence. I hate TEC, and know that true fans of BATB do, too.
I am currently writing a paper dissecting THE ENCHANTED CHRISTMAS, based on my Error List. I feel that the list isn't worded as well as I'd like it to be,and that I need to go into more depth,explaining its irrelevance in more detail. As for the movie: I still detest it; nothing the characters do make sense in relation to their personalities because THE ENCHANTED CHRISTMAS is not character-driven. It is driven by plot. The writers were slaves to their own misguided vision because there was nowhere real to go and that's why every line of dialogue, every action every character-or at least the incorrect interpretation of the character-takes is a lie-a soulless byproduct of committee thinking. The real crime of which this thing-I refuse to think of it as a film-is guilty is that IT EXISTS.
The thing that really hurts this sequel (other than the lackluster work from all the normally superb voice actors, and deflated story) is the fact that this is OBVIOUSLY an afterthought of a sequel. The main villain, as well as some additional characters, were not even mentioned in passing in the 1991 film. There is really no need for this movie at all. The only exceptional thing about this sequel is Tim Curry's excellent voice-over work, and the CGI imaging of his character, even if it is misplaced alongside the traditional animation. I'd say skip this altogether if you really enjoy the classic 1991 feature, as I do.
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Comedy stories are designed to entertain through humor. Popular formats include situational comedy, sketch-style humor, workplace comedy, and romantic comedy.
Action titles emphasize excitement, physical conflict, heroic characters, and fast-paced storytelling. Adventure titles often feature exploration, survival, or epic journeys.
Crime dramas follow investigators, detectives, lawyers, or journalists as they solve criminal cases. Mystery stories encourage audiences to uncover clues alongside the characters.
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Horror storytelling creates suspense through psychological tension, supernatural events, monsters, or survival scenarios.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.
Animation includes works for children, families, and adults, ranging from educational content to complex dramatic storytelling.
Romantic stories focus primarily on relationships, love arcs, and emotional development between characters.